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designersof:

GAME OF THRONES 90s ERA

(Jon Snow and Joffrey Baratheon)

What “Game of Thrones” would have looked like if the action had been set in the 90s?

What if swords, bows, spears and armors had been replaced with some NES guns, bats and tracksuits?
This is a fun project i ve been recently starting, imagining all the characters fighting for the throne in a 90s grunge/gangsta era.

Follow me here

————————
get your work featured by submitting it to designersof.com

faeviolet:

edit from the shoot of my final major collection. so happy! all coming together so well :)
photography - Amy Souter
model - Chloe Woodman

my cariad’s a boss.

faeviolet:

edit from the shoot of my final major collection. so happy! all coming together so well :)

photography - Amy Souter

model - Chloe Woodman

my cariad’s a boss.

The Dear Hunter – Middle Ground

god-theutterlyindifferent:

pistolpetematty:

Middle Ground - The Dear Hunter  

Holy Shit. I NEED my vinyl to get here.


There’s always a lighthouse, there’s always a man, there’s always a city…

There’s always a lighthouse, there’s always a man, there’s always a city…

(Source: osgiliaths)

J. M. W. Turner: storms.

Snow Storm: Hannibal and His Army Crossing the Alps, 1812
Wreckers Coast of Northumberland, 1833
Fishermen at Sea, 1796

(via gameraddictions)

eatsleepdraw:

The Valyrian Steel Swords of Westeros - giclée / screen print
16.5” x 23.4” giclée archival pigment inks print with silkscreen varnish, on  Hahnemühle German Etching 310gsm paper
Hand-numbered edition of 150
Available now from my Shop
Inspired by the ‘A Song of Ice and Fire’ books by G. R. R. Martin and the subsequent homage poster by Darrin Crescenzi, I was keen to create a visual catalogue of the Valyrian steel swords of Westeros.
Forged from a magical metal in the days of old Valyria, Valyrian steel swords are of the highest quality and extremely rare, which makes them some of the most sought after prizes in A Song of Ice and Fire. I wanted to illustrate the main* swords, referencing their last known wielders and each wielder’s house. Similar to Crescenzi’s poster, I intended the illustrations to feel modern and clean, juxtaposing the book’s grittiness. 
Contrary to the description given in the books, I chose to make the blades almost luminous and glowing but retained the subtle waves in the steel and the red tinge within Oathkeeper and Widow’s Wail. The screen layer adds a varnish to the blades to give them a gloss shine.
I used a varsity-esque font for the sword names because I like the idea of them feeling like a sports team you might support. Everyone has a favourite character or house from the series, so that was something I wanted to bring through using a visual language that people would be familiar with but not necessarily expect. This is echoed in the use of only 2 ‘house colours’ to create each sword handle and name scroll.
*whilst other swords are mentioned, I have attempted to visualise the ones named and given importance by the book.

eatsleepdraw:

The Valyrian Steel Swords of Westeros - giclée / screen print

16.5” x 23.4” giclée archival pigment inks print with silkscreen varnish, on  Hahnemühle German Etching 310gsm paper

Hand-numbered edition of 150

Available now from my Shop

Inspired by the ‘A Song of Ice and Fire’ books by G. R. R. Martin and the subsequent homage poster by Darrin Crescenzi, I was keen to create a visual catalogue of the Valyrian steel swords of Westeros.

Forged from a magical metal in the days of old Valyria, Valyrian steel swords are of the highest quality and extremely rare, which makes them some of the most sought after prizes in A Song of Ice and Fire. I wanted to illustrate the main* swords, referencing their last known wielders and each wielder’s house. Similar to Crescenzi’s poster, I intended the illustrations to feel modern and clean, juxtaposing the book’s grittiness. 

Contrary to the description given in the books, I chose to make the blades almost luminous and glowing but retained the subtle waves in the steel and the red tinge within Oathkeeper and Widow’s Wail. The screen layer adds a varnish to the blades to give them a gloss shine.

I used a varsity-esque font for the sword names because I like the idea of them feeling like a sports team you might support. Everyone has a favourite character or house from the series, so that was something I wanted to bring through using a visual language that people would be familiar with but not necessarily expect. This is echoed in the use of only 2 ‘house colours’ to create each sword handle and name scroll.

*whilst other swords are mentioned, I have attempted to visualise the ones named and given importance by the book.

(via peopleeveryday)

Impala 

digital painting. Thought I’d finally get around to finishing it so I could submit it to a local art open alongside other artworks.

Impala 

digital painting. Thought I’d finally get around to finishing it so I could submit it to a local art open alongside other artworks.

designersof:

GAME OF THRONES 90s ERA

(Jon Snow and Joffrey Baratheon)

What “Game of Thrones” would have looked like if the action had been set in the 90s?

What if swords, bows, spears and armors had been replaced with some NES guns, bats and tracksuits?
This is a fun project i ve been recently starting, imagining all the characters fighting for the throne in a 90s grunge/gangsta era.

Follow me here

————————
get your work featured by submitting it to designersof.com

faeviolet:

edit from the shoot of my final major collection. so happy! all coming together so well :)
photography - Amy Souter
model - Chloe Woodman

my cariad’s a boss.

faeviolet:

edit from the shoot of my final major collection. so happy! all coming together so well :)

photography - Amy Souter

model - Chloe Woodman

my cariad’s a boss.


There’s always a lighthouse, there’s always a man, there’s always a city…

There’s always a lighthouse, there’s always a man, there’s always a city…

(Source: osgiliaths)

J. M. W. Turner: storms.

Snow Storm: Hannibal and His Army Crossing the Alps, 1812
Wreckers Coast of Northumberland, 1833
Fishermen at Sea, 1796

(via gameraddictions)

eatsleepdraw:

The Valyrian Steel Swords of Westeros - giclée / screen print
16.5” x 23.4” giclée archival pigment inks print with silkscreen varnish, on  Hahnemühle German Etching 310gsm paper
Hand-numbered edition of 150
Available now from my Shop
Inspired by the ‘A Song of Ice and Fire’ books by G. R. R. Martin and the subsequent homage poster by Darrin Crescenzi, I was keen to create a visual catalogue of the Valyrian steel swords of Westeros.
Forged from a magical metal in the days of old Valyria, Valyrian steel swords are of the highest quality and extremely rare, which makes them some of the most sought after prizes in A Song of Ice and Fire. I wanted to illustrate the main* swords, referencing their last known wielders and each wielder’s house. Similar to Crescenzi’s poster, I intended the illustrations to feel modern and clean, juxtaposing the book’s grittiness. 
Contrary to the description given in the books, I chose to make the blades almost luminous and glowing but retained the subtle waves in the steel and the red tinge within Oathkeeper and Widow’s Wail. The screen layer adds a varnish to the blades to give them a gloss shine.
I used a varsity-esque font for the sword names because I like the idea of them feeling like a sports team you might support. Everyone has a favourite character or house from the series, so that was something I wanted to bring through using a visual language that people would be familiar with but not necessarily expect. This is echoed in the use of only 2 ‘house colours’ to create each sword handle and name scroll.
*whilst other swords are mentioned, I have attempted to visualise the ones named and given importance by the book.

eatsleepdraw:

The Valyrian Steel Swords of Westeros - giclée / screen print

16.5” x 23.4” giclée archival pigment inks print with silkscreen varnish, on  Hahnemühle German Etching 310gsm paper

Hand-numbered edition of 150

Available now from my Shop

Inspired by the ‘A Song of Ice and Fire’ books by G. R. R. Martin and the subsequent homage poster by Darrin Crescenzi, I was keen to create a visual catalogue of the Valyrian steel swords of Westeros.

Forged from a magical metal in the days of old Valyria, Valyrian steel swords are of the highest quality and extremely rare, which makes them some of the most sought after prizes in A Song of Ice and Fire. I wanted to illustrate the main* swords, referencing their last known wielders and each wielder’s house. Similar to Crescenzi’s poster, I intended the illustrations to feel modern and clean, juxtaposing the book’s grittiness. 

Contrary to the description given in the books, I chose to make the blades almost luminous and glowing but retained the subtle waves in the steel and the red tinge within Oathkeeper and Widow’s Wail. The screen layer adds a varnish to the blades to give them a gloss shine.

I used a varsity-esque font for the sword names because I like the idea of them feeling like a sports team you might support. Everyone has a favourite character or house from the series, so that was something I wanted to bring through using a visual language that people would be familiar with but not necessarily expect. This is echoed in the use of only 2 ‘house colours’ to create each sword handle and name scroll.

*whilst other swords are mentioned, I have attempted to visualise the ones named and given importance by the book.

(via peopleeveryday)

Impala 

digital painting. Thought I’d finally get around to finishing it so I could submit it to a local art open alongside other artworks.

Impala 

digital painting. Thought I’d finally get around to finishing it so I could submit it to a local art open alongside other artworks.

The Dear Hunter – Middle Ground

god-theutterlyindifferent:

pistolpetematty:

Middle Ground - The Dear Hunter  

Holy Shit. I NEED my vinyl to get here.

About:

David Michael Lyndon Thomas. 23. Illustrator, Painter and Bassist for After An Alibi I love art, music and gaming, and most of what I'll post will consist of those.


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